The 21st edition of Scotland’s largest film festival will open on 26 February with the World premiere of Scottish director John Maclean’s hotly anticipated survival thriller Tornado starring Tim Roth, Jack Lowden, Takehiro Hira and Koki, shot on location in Scotland
GFF25 will close on 9 March with the World premiere of Scottish documentary filmmaker Martyn Robertson’s Make It To Munich, following remarkable Scots teenager Ethan Walker as he defies life-threatening injuries to cycle from Glasgow’s Hampden Park to Munich Football Arena for Scotland’s opening Euro24 match
GFF25 will bring 12 World and European premieres, 67 UK premieres and 12 Scottish premieres from 39 countries to the big screen at Glasgow Film Theatre (GFT) and venues across Glasgow and beyond
UK premieres include Ralph Fiennes and Juliet Binoche reuniting in The Return, Jessica Lange and Ed Harris in the star-studded adaptation of Long Day’s Journey Into Night, Vicky Krieps in the chilling New Zealand ghost story Went Up The Hill, and music documentaries Peaches Goes Bananas and
Desire: The Carl Craig Story
Scottish premiere highlights include Scottish folk horror Harvest shot on location in Argyllshire, Tilda Swinton and George Mackay in the post-apocalyptic musical satire The End, Nicolas Cage in trippy psychological thriller The Surfer, and Glasgow’s James McArdle in the feel-good comedy Four Mothers
Glasgow-born Hollywood star James McAvoy will appear at a live In Conversation event,
looking back at his career
GFF25 marks CEO and Film Festival Director Allison Gardner’s final festival, after more than
30 years at Glasgow Film
Glasgow Film Festival 2025 (GFF25) has announced the full programme for its 21st edition. Across 12 packed days, Scotland’s largest annual celebration of cinema will showcase 92 World, UK and Scottish premieres from 39 countries.
GFF25 will open on Wednesday 26 February with the Gala World premiere of tour-de-force survival thriller Tornado, the hotly anticipated sophomore feature from Scottish director John Maclean (Slow West). Set in the rugged landscape of 1790’s Britain, Tornado (played by model-songwriter Koki,) finds herself caught in a perilous situation when she and her father’s travelling puppet show crosses paths
with a ruthless criminal gang led by Sugarman (Pulp Fiction star Tim Roth) and his ambitious son Little Sugar (Slow Horses’ Jack Lowden). In an attempt to create a new life, Tornado seizes the opportunity to steal the gold from the gang’s most recent heist; what follows is a thrilling tale of adrenaline-fueled action as Tornado fights to escape a violent demise. Lionsgate UK will release the film nationwide on Friday 23 May.
The festival will close on Sunday 9 March with the Gala World premiere of award-winning Scottish documentary-maker Martyn Robertson’s Make It To Munich. Shot in the run-up to Euro 2024, Make It To Munich follows Ethan Walker, a promising teenage footballer from Aberdeenshire who, just months into a football scholarship at a USA University, suffers life-threatening injuries (including multiple fractures, two brain haemorrhages and the complete dislocation of his right knee) in a road traffic accident. Aided in his recovery by pioneering Glasgow surgeon (and former Rangers footballer who trained alongside Graeme Souness and Ally McCoist) Professor Gordon Mackay, Ethan decides to cycle from Hampden to Munich for Scotland’s opening match against Germany in Euro 2024 - just nine months after his accident. Entrusted by the Scotland National team to carry the match pennant on his back for the whole journey and deliver it in time for kick off, Ethan is accompanied in this epic quest by Gordon, Tartan Army foot-soldier Stephen Collie and Martyn himself. Make It To Munich is an uplifting story of human willpower, scientific ingenuity and the questionable wisdom of making a film with one hand while the other one grasps the handlebars for a 1200 kilometres cycle.
GFF25 is also thrilled to welcome Glasgow-born Hollywood star James McAvoy for a special In Conversation event, looking back at his career.
GFF is one of the leading film festivals in the UK and is run by Glasgow Film, a charity which also runs Glasgow Film Theatre. Glasgow Film Festival is made possible by support from Screen Scotland and the BFI Audience Projects Fund, both awarding National Lottery funding, Glasgow Life and EventScotland, part of VisitScotland. GFF would also like to extend thanks to the Glasgow 850 Festival Fund that helped make community outreach activity impactful by engaging children, young people and the wider community with the festival.
World and European Premieres
One Name. Two World Champions. In 1996, Damon Hill claimed the Formula 1 World Championship. In doing so he cemented his place in motorsport history, following in the footsteps of his legendary father, Graham Hill. Getting its World premiere at GFF25, Hill is a unique family story set against the backdrop of the fastest sport in the world. How Damon Hill defied the odds and overcame tragedy to step out of his father’s shadow and become a racing legend in his own right. Hill is directed by BAFTA-nominated filmmaker Alex Holmes (Maiden, The Rig) and produced by Simon Lazenby & Victoria Barrell of Sylver Entertainment (McEnroe, Schmeichel) and Cora Palfrey & Luc Roeg of Independent Entertainment (Lewis Capaldi: How I’m Feeling Now, My Policeman).
GFF25 will host a special world premiere screening of the first episode of major new Amazon Studios produced thriller Fear, shot in Glasgow’s West End and starring GFF favourites Martin Compston, Solly Macleod and James Cosmo, ahead of its UK release later this year.
Other world and international premieres include The Players, a 1990s coming-of-age drama about teenage actor Emily, cast as the youngest member of an avant garde theatre production, and Daniel V Masciari’s debut feature Stationed at Home, following a small-city taxi driver in 1998 awaiting the sight of the International Space Station.
UK Premieres
Jessica Lange, Ed Harris, Ben Foster and Colin Morgan lead in a star-studded adaptation of Eugene O’Neill’s Pulitzer Prize-winning play Long Day’s Journey Into Night, which will receive its UK premiere at GFF25. Winner of two Academy Awards, three Primetime Emmy Awards, five Golden Globe Awards, and a Tony Award, Hollywood legend Jessica Lange will also take part in an exclusive In Conversation event, looking back at her six decades-long screen career, from King Kong and Tootsie to Rob Roy and American Horror Story.
Other UK premieres include The Return, which sees The English Patient stars Ralph Fiennes and Juliette Binoche reunite in a new version of Homer’s Odyssey; Luckiest Man In America, an engrossing game-show thriller based on the true story of an ice-cream truck driver (Paul Walter Hauser) whose winning streak on 'Press Your Luck' threatens to bankrupt the production company, featuring terrific performances from Walter Goggins, David Strathairn and Shamier Anderson in support; Alfie Allen in mesmerising form as the Army veteran responsible for the deadliest act of domestic terrorism in USA history in McVeigh; New Zealand ghost story Went Up The Hill, starring Cannes award-winner Vicky Krieps and Stranger Things’ Dacre Montgomery; Ghostlight, the new feature from Saint Frances writer-actor Kelly O’Sullivan, about a construction worker involved in an am-dram production of Romeo and Juliet; Barbie Ferreira and John Leguizamo shine in Tracie Laymon’s SXSW Audience Award-winner Bob Trevino Likes It, based on the true story of an unlikely Facebook friendship; and Stealing Pulp Fiction, a comedy heist film about three aspiring Hollywood friends who plot to steal Quentin Tarantino's personal 35mm print.
The Greasy Strangler auteur Jim Hosking returns with his latest absurdist comedy Ebony & Ivory, about two highly-strung musical legends who meet in an isolated cottage to discuss a possible collaboration. Stories of real-life musical icons will also get their UK premieres at GFF25, with Peaches Goes Bananas, an intimate insight into the world of queer feminist icon Peaches shot over 17 years and ranging from her immersive high energy stage extravaganzas to her cherished quiet life, and Desire: The Carl Craig Story, which delves into Black American music history through the story of the Detroit techno legend. Another documentary highlight is UK premiere Homegrown by Michael Premo, an engrossing dive into the lives of three Donald Trump-supporting patriots in the run-up to the 2020 election and its aftermath, which led to the attack on the Capitol.
World cinema gems getting their first UK big screen outings at GFF include I Do Not Come To You By Chance from Nigerian director Ishaya Bako about an unemployed young graduate who becomes embroiled in his uncle’s scam email business; Luis Ortega’s stylish, gender-fluid Argentinian crime caper Kill The Jockey; Daniela Forever, a Spanish sci-fi romance starring Henry Golding as a bereaved man who enrolls in a clinical trial for a drug that allows him to reunite with his lost lover; Queens, Klaudia Reynicke’s heartwarming autobiographical drama charting an estranged father’s attempts to reconnect with his daughters as they and their mother prepare to leave the turbulence of 1990s Peru for a new life in the USA; Some Nights I Feel Like Walking, a queer road movie from the Phillipines about a band of street hustlers honouring their friend’s dying wish: to take his body home; Aude Léa Rapin’s buzzy French feminist dystopian thriller Planet B; Tunisian drama Red Path, that captures the contrast between childhood innocence and violence as young Arabic shepherd Ashraf deals with his cousin’s murder; and the third installment in Japan’s ever-popular Baby Assassins series, Nice Days, which sees loveable freelance killers Chisato and Mahiro attempt to take a holiday from the bloodshed.
Scottish Premieres
GFF25 will see the first Scottish big screen outings for Athina Rachel Tsangari’s Middle Ages Scottish folk horror Harvest, shot entirely on location in Argyllshire and starring Caleb Landry Jones and Harry Melling; The End, starring Tilda Swinton, George Mackay and Michael Shannon in Joshua Oppenheimer’s (The Act of Killing) musical fantasy about a rich family sheltering from the end of the world in a converted salt mine; Glasgow’s James McArdle getting a long-overdue leading man role in the charming feel-good comedy Four Mothers, starring as a Young Adult author and carer for his non-verbal mum Alma (Fionnula Flanagan) whose friends all ditch him with their own mums so they can go party at Pride; Nicolas Cage bringing his trademark full-throttle intensity to The Surfer, a trippy psychological thriller about a dad who is pushed to the edge by local surfers when he returns to his beloved childhood beach with his son; and an all-star line-up of USA alternative comedy stars, including Cole Escola, Sarah Sherman, Demi Adejuyigbe, Julio Torres and Janeane Garofalo, feature in Julian Glander’s dreamy and surreal coming-of-age animation Boys go to Jupiter about a teenager in suburban Florida hustling to make $5000.
The Extraordinary Miss Flower - the new performance film from Iain Forsyth and Jane Pollard (the team behind 20,000 Days on Earth) - brings to life the remarkable true story of the extraordinary Geraldine Flower and the discovery of a suitcase of love-lorn letters sent to her in the 1960s and 1970s, that inspired acclaimed Icelandic singer/songwriter Emilíana Torrini to return to the studio. Female musical voices are also celebrated in the joyous Italian costume drama Gloria!, in which a seemingly mute maid at a musical institution for orphaned girls discovers a talent for piano which sparks a rebellious revolution amongst the girls. Ukrainian science-fiction drama U Are The Universe centres on a lone astronaut embarking on a dangerous mission in search of connection, a gripping watch made all the more remarkable by the fact it was shot during the ongoing invasion of Ukraine.
GFF25 will host the Scottish premiere of major new Scotland-based filmmaking talent Laura Carreira’s On Falling, which picked up the prestigious Sutherland Award for Best Debut at BFI London Film Festival 2024. Shot on location in Glasgow and Edinburgh, and produced by Ken Loach’s Sixteen Films, On Falling is an honest and raw depiction of loneliness and the instability of the gig economy through the eyes of Portuguese warehouse picker Aurora. Alongside the GFF25 Scottish premiere on 28 February, GFF will host special screenings of the film at partner cinemas across the UK including Barbican London, BFI Southbank London, Cameo Edinburgh, Chapter Cardiff, DCA Dundee, MacRobert Art Centre Stirling, Queens Film Theatre Belfast, Showroom Sheffield, Tyneside Newcastle and Watershed Bristol.
GFF25 Audience Award Sponsored by MUBI
Glasgow Film Festival’s longest-standing award returns this year and will be given to an exceptional first- or second-time director. As always, the award is chosen by the most important people: the GFF audience. The GFF25 Audience Award is Sponsored by MUBI, the global streaming service, production company and film distributor dedicated to elevating great cinema. The 10-strong shortlist features Two to One an ensemble comedy following a trio of friends as they hatch a get-rich-quick scheme upon finding a trove of soon-to-be worthless banknotes and starring German A-lister Sandra Hüller (Anatomy of A Fall); the gripping and darkly comic domestic thriller debut Restless in which Jed Hart captures the psychological torment of sleep deprivation when a quiet life is shattered by nightmare new neighbours; Elizabeth Lo’s Mistress Dispeller a fascinating documentary fresh from its success at Venice Film Festival and TIFF that sees undercover ‘mistress dispellers’ - a growing Chinese service - hired by cheated-on spouses to break-up marital affairs and get relationships back on track; Spilt Milk which explores the harsh realities of housing estate life and addiction through a child’s eyes in 1980s Dublin as we follow newcomers Cillian Sullivan and Naoise Kelly as 11-year-old Bobby and his friend Nell while they hunt for his missing brother; Mr. K a darkly comedic mindbender starring Crispin Glover (Back to the Future) as a magician who checks into a strange and decaying hotel full of odd residents; Meat where roots of an ancient Greek tragedy evolve when a patriarch confronts a fateful decision after an enduring family feud escalates to murder in this tense thriller that had its world premiere at TIFF; Silver Star from duo Lola Bessis and Ruben Amar that explores a budding female friendship in a robbery-gone-wrong road-trip drama; Olga Korotko’s second feature and Locarno Golden Leopard nominee Crickets, It’s Your Turn a tense cat and mouse thriller that dissects the patriarchy and toxic masculinity; Jianjie Lin’s impressive debut Brief History of a Family, a thriller drama come-satire set in post one-child-policy China; and Marie-Claire Marcotte’s Neon Dreaming that follows eight-year-old Billie (Maélya Boyd) as she leans on her vivid imagination, and her loyal best friend Sherry (Maïna Rose Caméus), to unravel the web of secrets shrouding her mother's true identity.
Special Events and Retrospectives
Audiences can start every GFF day with a free showing of a bonafide classic back on the big screen, thanks to our legendary themed retrospectives! For 2025, the retrospective programme’s theme is ‘Our Time is Now: Coming of Age in the Movies’ to tie in with the 21st edition of GFF. From first love to sex, drugs and rock’n’roll, the titles include Elia Kazan’s classic A Tree Grows in Brooklyn (1945) about the tumultuous life of a family in 1900 Brooklyn, told through the eyes of a teenager; Indian masterpiece Pather Panchali (1955), which follows a young man’s journey with his family in search of a better life; and The Prime of Miss Jean Brodie (1969), starring the late Dame Maggie Smith as an eccentric and liberated school teacher whose ideas of life and love have an influence on her students; Gregory’s Girl (1981) which exposes the awkwardness and joy of first love; Amy Heckerling’s Fast Times at Ridgemont High (1982) that brings together a youthful Sean Penn, Nicolas Cage and Jennifer Jason Leigh as rebellious high schoolers; Boyz N the Hood (1991) following teenagers growing up in South Central LA surrounded by guns, drugs and the violence of everyday life; and Shane Meadows’ groundbreaking drama This is England (2006) that captures a snapshot of working class England in the early Thatcher years; Turkish drama Mustang (2015) which won Glasgow Film Festival’s Audience Award in 2016 and follows five sisters living under their family’s strict rules; Julia Durcournau’s debut body horror Raw (2016), a disturbing take on growing up; and lastly, Greta Gerwig’s iconic creation Lady Bird (2017) starring Saoirse Ronan and Timothée Chalamet. Tickets for the free retrospective screenings are not available to book and can be collected from Glasgow Film Theatre’s Box Office on the morning of the screenings which take place at 10.30am during the festival.
GFF’s much-loved, highly anticipated special event screenings return this year at atmospheric venues across the city and feature some pre-screening surprises. GFF will make noise at Govan’s Grand Ole Opry for a special 25th anniversary screening of millennial favourite Coyote Ugly with all-singing, all-dancing entertainment. This is all before film lovers ascend the steps of Cottiers in Glasgow’s West End to take their seats at Muriel’s Wedding and celebrate 30 years of Toni Collette’s breakthrough performance of Australia’s most endearing anti-hero. Cottiers will also embrace the supernatural and host Andrew Fleming’s feminist horror classic The Craft for an evening of all things occult.
The pioneering Sweden-born actor and director Mai Zetterling, who made her career on the UK screen and stage, will be celebrated in a special retrospective marking the centenary of her birth. From her on-screen roles including the intriguing war-time thriller The Man Who Finally Died (starring Zetterling alongside Peter Cushing and Stanley Baker) and British noir Blackmailed co-starring Dirk Bogarde, to her diverse directorial features like the fearlessly feminist and sexually frank 1964 debut Loving Couples (which saw the Mayor of Cannes ban the poster as it featured naked silhouettes); Scrubbers, a raw depiction of the relationships and rivalries in a girls’ borstal unit, starring a young Kathy Burke; and her Venice Golden Lion-winning short The War Game, exploring how young boys are exposed to violence through play, this is a rare opportunity to re-discover the career of a true feminist film pioneer. GFF is partnering with BFI and BFI Southbank will present a retrospective celebrating the centenary of Mai Zetterling in May 2025.
2025 Country Focus: From the Heart of Europe: Austria on Screen
The From the Heart of Europe: Austria on Screen programme brings an eclectic mix from hard-hitting drama to absurdist comedy. Josef Hader’s tragicomedy Andrea Gets a Divorce about a policewoman whose life is turned upside down after an accident with her ex-husband, is joined by Gina, directed by Ulrike Kofler, which inspects the impact of generational poverty. Satirical mockumentary Piggy Bank directed by and starring Christoph Schwarz takes a swipe at performative activism and middle-class apathy and sits alongside Peacock an absurd drama directed by Bernhard Wenger (whose style has been compared to Yorgos Lanthimos). And Veni Vidi Vici takes a stab at the lives of the rich and powerful, helmed by directorial duo Juliane Niemann and Daniel Hoesel. From the Heart of Europe also brings one of Austria’s most famous and audacious filmmakers, Michael Haneke’s classics back to the big screen, with perverse drama The Piano Teacher (2001) starring Isabelle Huppert as a sexually repressed teacher romantically pursued by her younger student; and disturbing psychological thriller Hidden (Caché) (2005) starring Juliette Binoche and Daniel Auteuil as a couple tormented by a stranger keeping them under surveillance.
FrightFest
The long-celebrated FrightFest returns for its 20th year at GFF and boasts 11 new feature films and seven short films, spanning three continents and five countries. The programme will unveil eight world premieres, two international premieres, five UK premieres and three Scottish premieres in a fear-fuelled Glasgow Film Theatre from 6-8 March.
FrightFest kicks off with Psyche, Stephon Stewart’s poignant exploration of isolation, psychological tension, survival and human vulnerability in a story that follows Mara (Sarah Ritter) adrift in limbo before embarking on a quest to uncover the meaning of life. On the final day of FrightFest, the scariest villain from our collective childhoods returns: Rumplestiltskin. A haunting tale made even darker, bloodier and nastier by Andy Edwards.
The love for documentaries at this year's festival bleeds into the FrightFest line-up with Rupert Russell’s The Last Sacrifice having its UK Premiere in Glasgow. The unsettling true-crime interrogation reveals the terrifying real-life 1945 killing that inspired the classic shocker, The Wicker Man. Documentary enthusiasts can also relish in Michael Flesher’s Hearts of Darkness: The Making of The Final Friday, a probing documentary wherein Adam Marcus (Secret Santa) shows us a never-seen-before look at the controversial ninth episode in the iconic series exploring pressures and studio scrutiny.
Horror lovers can also gorge on David Luke Rees’ directorial debut and world premiere By The Throat packed with nightmares, hallucinations and evil forces; socio-political feminist thriller from Izzy Lee, Houses of Ashes, where a grieving widow must survive psychological and supernatural horrors while under house arrest; A Mother’s Embrace, Cristian Ponce’s second feature that follows a young firefighter’s attempts to save the elderly residents of a local nursing home, with more than just the
perilous storm outside to contend with; Paul Boyd’s Scared to Death that follows a group of filmmakers as they attend a seance at an abandoned children's orphanage; and a war-time sci-fi adventure that sees the inhabitants of a sleepy English village fighting aliens from another world, against a backdrop of the Second World War in Jack Lawrence McHenry’s The Doom Busters.
Other highlights include Oscar-nominated documentary filmmaker Pedro Kos’ feature debut In Our Blood, a twisted tale that masterfully blends psychological mystery with chilling horror; and The American Backyard, the latest gothic thriller from Pupi Avati, known for his cult shockers (The House with Laughing Windows, Zeder), based on Avati’s novel and informed by the infamous true crimes of The Monster of Florence.
The FrightFest Shorts Showcase on 8 March platforms seven titles, two of which are from Scottish filmmakers bringing us two world premieres. A campfire horror story from Ancient Rome, By The Light of the Fire, from Luke Cossimo Keogh, and Pumpkin Guts from Bryan M Ferguson, a horror set on Halloween. The international premiere of Irish title Conveyance from Gemma Creagh will also grace the big screen in GFT. The programme bursts with British talent including director duo Henry Leroy Salta and Alexander Tol with Mulch, Kyran Davies’ Canary Bones, Ali Cook’s The Pearl Comb, and The Birdwatcher from Ryan Mackfall.
Community and Youth Takeovers
Glasgow Film Festival Community Takeover Day is a free, fun-filled cinema event, created with and for communities around Glasgow. Residents have already attended Community Planning Meet-Ups to select the film, food and activities for the wider community to enjoy on Saturday 8 March. The Community Takeover is open to all age groups.
The Glasgow Film Young Ambassadors will host the Glasgow Film Festival Youth Takeover, a free pop-up cinema event on Friday 28 February with activities and food for under-25s, all selected by the Young Ambassadors. This event will feature the film, Boys Go To Jupiter, a unique animation from the GFF programme.
Both Takeovers are made possible with the help of the Glasgow 850 Festival Fund. This support allowed the festival to include additional programming that celebrates and showcases the richness and diversity of Glasgow talent, engages children and young people in the city and delivers community outreach activities. The Glasgow 850 Festival Fund is a £100,000 cultural fund launched as part of Glasgow's 850th celebrations in 2025.
Allison Gardner, CEO of Glasgow Film and Director of GFF, said: “I cannot begin to say how excited I am by the brilliant programme we have curated, the breadth of films on offer genuinely has something for everyone. Everyone across Glasgow Film works very hard to make the magic happen and I cannot thank all my colleagues enough for their hard work, enthusiasm and sheer brilliance in making this not only a great festival to attend, but a friendly and supportive environment to work in. I shall be sad that this is
my last festival as I’ve had so many magical moments over the years, but I know the great work we have done will ensure that audiences, filmmakers and industry colleagues will continue to support what I consider to be the best film festival in the world.”
Isabel Davis, Executive Director at Screen Scotland said: “This year’s GFF programme is a very clear demonstration of the festival's importance to the local industry, connecting our films and talent to the rest of the world and introducing world-class cinema to audiences in Glasgow, across Scotland and the rest of the UK. Once again Scottish talent is strongly showcased throughout the programme including John Maclean’s Tornado, Laura Carreira’s On Falling and Glasgow-shot Fear, directed by Justin Chadwick, starring Martin Compston.
“This year marks the end of the tenure of powerhouse Glasgow Film leader Allison Gardner, after over three decades. Congratulations to Allison and her team on this fantastic edition and on her tremendous legacy that will be felt for decades to come at GFT.”
Ben Luxford, Director of UK Audiences at the BFI, said: “We are proud to support the Glasgow Film Festival this year, and hope BFI National Lottery can help them realise their aim of reaching and engaging new audiences. A fantastic offer to audiences in Glasgow and across Scotland, and it is wonderful to see elements of their programme reaching other parts of the UK. 2025 also marks Allison's final year at the helm, who has done an incredible job of growing this Festival and she leaves it in brilliant shape to take forward.”
Chair of Glasgow Life, Bailie Annete Christie, said: "The Glasgow Film Festival is a shining example of our city’s vibrant cultural identity and its love for cinema. With an outstanding programme featuring eagerly awaited premieres and acclaimed works from around the globe, this year’s festival promises to captivate audiences, inspire creativity, and reaffirm Glasgow’s position as a leading destination for film and the arts. We’re delighted to support such a treasured and internationally admired event. This year, the festival also benefits from the Glasgow 850 Festival Fund, enabling special initiatives like the Community and Youth Takeovers, which reflect the richness of Glasgow’s talent and the strength of its community spirit during this milestone year for our city."
Rebecca Edser, Head of EventScotland, said: “Supported through our International Events Programme, the Glasgow Film Festival is part of an exciting portfolio of events strengthening Scotland’s reputation as the perfect stage for events.
“The festival’s exciting and varied programme is filled with an abundance of World, European, UK and Scottish premieres as well as true cinema classics and thrilling special events, giving people the chance to connect, share and enjoy in truly memorable experiences in the way only events can.
“Through their commitment to screening Scottish based films, they also help showcase to audiences, both visiting and local, what is available beyond the screen to go and explore, reflecting the growing
global trend of screen tourism or ‘set-jetting’. Congratulations to Allison and the GFF team on another fantastic programme – we wish Allison a wonderful final edition.”
